Embracing the Familiar: Beverly Hills Cop Returns with Axel F

 Jen Chaney, a seasoned TV critic known for her insightful reviews on Vulture and New York, takes a candid look at Netflix’s latest offering, "Beverly Hills Cop: Axel F". In her signature style, Chaney navigates the film’s well-trodden path, blending critique with a nod to its nostalgic allure.

From the opening strains of Glenn Frey’s "The Heat Is On" to Eddie Murphy’s reprisal of the iconic Axel Foley, the film doesn’t shy away from its roots. Co-written by Will Beall, Tom Gormican, and Kevin Etten, the script weaves together familiar elements from the franchise’s illustrious past. Murphy effortlessly slips back into Axel’s shoes, his infectious energy lighting up the screen as he navigates a plot that, while formulaic, still manages to captivate.

Chaney acknowledges the film’s reliance on nostalgia, noting its predictable plot dynamics and occasional clichés. Yet, she finds solace in Murphy’s charismatic performance, which injects vitality into every scene. Whether bantering with old comrades or tackling new adversaries, Murphy’s Axel remains a joy to watch, a testament to his enduring appeal as a comedic powerhouse.

Director Mark Malloy’s debut behind the camera ensures the film maintains a brisk pace, punctuated by adrenaline-pumping car chases and witty dialogue exchanges. While not groundbreaking, Malloy’s direction stays true to the franchise’s legacy, delivering a package that’s both familiar and comforting in its predictability.

Chaney reserves praise for the ensemble cast, including standout performances by Taylour Paige, Joseph Gordon-Levitt, and Kevin Bacon, each seamlessly integrating into the Beverly Hills Cop universe. Their contributions, alongside Murphy’s effervescent presence, elevate Axel F beyond mere nostalgia, infusing it with enough charm to entertain both longtime fans and newcomers alike.

In her conclusion, Chaney reflects on the film’s unabashed embrace of its predecessors. Despite its flaws, "Beverly Hills Cop: Axel F" succeeds in delivering what it promises—a fun, nostalgic ride through familiar territory. As Chaney quips, echoing the sentiment shared by Axel’s perennially exasperated colleagues, some things indeed never change.